Sylvia Plath: Deep, Dark, Disturbed

Modern Artist

Courtney Love.... The modern daySylvia Plath?

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Use once and destroy

By: Hole


I went down to rescue you
I went all the way down
Fill your hungry wretched life
Here they come it's closing time

It's the bitter root it's twisted inside
It's the heart you used to have when it died
It's the emptiness it poisons it lies
It's everything that you'll never find

It might as well it might as well hurt
It might as well it might as well

I went down for the remains
Sort through all your blurs and stains
Take your rapture blister burns
Stand in line it's not your turn

All dressed in red, always the bride
Off with her head, all dressed in white
Off with her head

I went down to rescue you
I went all the way down
I went down for the remains
Sort through all your blurs and stains

Oooh, I will follow you
Anytime, anywhere
Ooh, I will come for you
Just say you aren't there

 

Like Sylvia Plath, Courtney Love has experiened hardships with the loss of a loved one,  her husband.  Both mentally disturbed and confused Love is the new age version of Plath;  deep, dark, and emotionally withdrawn.  They are two peas in a pod, both women use dark imagery in their poems/songs.  Speaking of dark, suicidal things and loss relationships.  After the death of Sylvia’s father and the death of Kurt Cobain both Sylvia and Love started to spiral out of control and experienced depressive thoughts and random mood swings.  Also, both dealt with complicated relationships with their husbands under the public eye.  Infidelity by their spouses was also an ongoing struggle for both women. 

In the song, “Use once and destroy” Courtney is discussing her pain from losing her husband and how she feels used by him because he is no longer with her.  She feels his death has destroyed her and has created a deep, hole of emptiness and frustration.  I felt in the writing in the song Courtney love wandered off into unstable thoughts of her husband.  Which then transforms into rage by the end of the song because her husband is gone and she can’t have him back ever again.  As well as angered by the fact that she will have to continue on life alone without him.

            Sylvia goes more into depth with her emotions in her writing.  Explaining how much it hurts to be a widow, alone, without a husband.  She even in the third stanza expresses a urge of anger, i suspect it is Ted Hughes.  Which shows that even though she would be sad it would be a release if he wasn't any longer in her life.  She would have loved to end his life herself because it would make her feel so good to do so.  She again goes back into a dark tone and expresses that besides that thought she is missing and in mourning of her loss.  Sylvia even states at the end that she is in fear of this thought, but unlike Love hers is not because of a death.  She feels in a way that Ted Hughes has abandoned her and used her but in some ways she is excited her husband is gone.  Hughes has created emptiness inside Sylvia and she must deal with the situation and move on alone.

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Widow

By: Sylvia Plath

Widow. The word consumes itself ---
Body, a sheet of newsprint on the fire
Levitating a numb minute in the updraft
Over the scalding, red topography
That will put her heart out like an only eye.

Widow. The dead syllable, with its shadow
Of an echo, exposes the panel in the wall
Behind which the secret passages lies--stale air,
Fusty remembrances, the coiled-spring stair
That opens at the top onto nothing at all....

Widow. The bitter spider sits
And sits in the center of her loveless spokes.
Death is the dress she wears, her hat and collar.
The moth-face of her husband, moonwhite and ill,
Circles her like a prey she'd love to kill

A second time, to have him near again ---
A paper image to lay against her heart
The way she laid his letters, till they grew warm
And seemed to give her warmth, like a live skin.
But it is she who is paper now, warmed by no one.

Widow: that great, vacant estate!
The voice of God is full of draftiness,
Promising simply the hard stars, the space
Of immortal blankness between stars
And no bodies, singing like arrows up to heaven.

Widow, the compassionate trees bend in,
The trees of loneliness, the trees of mourning.
They stand like shadows about the green landscape ---
Or even like black holes cut out of it.
A widow resembles them, a shadow-thing,

Hand folding hand, and nothing in between.
A bodiless soul could pass another soul
In this clear air and never notice it ---
One soul pass through the other, frail as smoke
And utterly ignorant of the way it took.

That is the fear she has--the fear
His soul may beat and be beating at her dull sense
Like Blue Mary's angel, dovelike against a pane
Blinded to all but the grey, spiritless room
It looks in on, and must go on looking in on.

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