Sylvia Plath was a very controversial, confessional, poet in her day in age. Publishing hundreds of poems, she has been adored and despised by thousands. From her bold statements and direct manner she has become a “heroine to a generation of feminists
who exploited her misery for their own purposes.”(Walsh,
D.) She had many successes that started off at an early age, including books and other publications. In modern day, there has been a movie intended to be a bibliography, no doubt a tribute as well, to the
poet and novelist, Sylvia Plath called,” Sylvia” starring Gwyneth Paltrow but above all Sylvia Plath was an icon
to woman everywhere, to speak their minds and not stay in the shadows.
A
new age poet in her day but today is known world-wide and adored for her awareness of and distaste for the submissive and
insubstantial role of woman in the 1950s. “No writer has meant more
to the current feminist movement” and still today, at a time when the idea of equality for women isn't so radically
revolutionary as it had been earlier in the century, Plath is a literary symbol of the women's rights movement.” (Kinsey-Clinton,
M.) Plath was a strong woman and starting at an early age, had a very creative mind.
“By the time she entered Smith College on a
scholarship in 1950 she already had an impressive list of publications, and while at Smith she wrote hundreds of poems." (Gilson,
B.)
With
many successes, Plath has a long wrap sheet of achievements. (Enotes.) During the summer following her junior year at
Smith, she had been a student “guest editor” at Mademoiselle Magazine. During
that time she nearly succeeded in killing herself by swallowing sleeping pills. Sylvia Plath had her first collection of poetry,
The Colossus, published in England
in 1960. (Bio.True
Story. )She later described this experience in an autobiographical
novel, The Bell Jar, published in 1963 and by twenty-eight, her first book, The Colossus, was published in England.
(Literary Works.) She also has written, Crossing the Water. Plath's second posthumously
published collection is made up of poems written in 1960 and 1961, after The Colossus. The poems are described by one
reviewer as Plath's work between her “strange precocity and full maturity.” An additional collection, Winter
Trees, would appear in 1972, and a collection of prose, Johnny Panic and the Bible of Dreams, in 1977. (Gilson,
B.)
Many critics had issues when Plath started on her later work, specifically her famous poem “Daddy.” Some critics contend that Plath's jarring effects and preoccupation with her own problems
are “extravagant, and many object to her equation of personal sufferings with such horrors as those experienced by victims
of Nazi genocide.” Others, however, praise the passion and formal structure
of her later poems, through which she confronted her tensions and conflicts." (Sylvia Plath) Some critics were outraged, understandably
many of them Jewish, and some with strong ties to Holocaust survivors.”(Sylvia Plath) It’s a very touchy subject,
and it may well be that we’re too close to the event to turn the Holocaust into a metaphor. But that’s exactly
what Sylvia Plath did, audaciously wielding the power of metaphor to the extreme. This is not to say that the poet is free
from all responsibility in language. “Quite the contrary, but Plath’s disturbing use of imagery and metaphor is
not a mere artistic pose, but rather a sincere attempt to reveal the self – at this point clearly a self in great torment.”(Sylvia
Plath)With that occurring her death in February 1963 didn’t arouse too much sympathy.
“At the time not many people knew anything about this rather obscure, expatriate American poet whose publications
amounted to little more than a slim, pocket paperback. Her death did not create the international shockwaves that would come
from the death seven years later of another American expatriate in London.”(Enotes.)
The reason Sylvia sticks out like a sore thumb is because, “Her vivid, intense poems explore such topics
as personal and feminine identity, individual suffering and oppression, and the inevitability of death.”(Kinsey-Clinton,
M.) Being a voice for women, loud and clear, “Plath's desire to bring her own life cycle to full
complete fruition in motherhood is also strongly evinced from the time of her earlier work, only growing more securely rooted
as her writing progressed along with maturation.”(Gilson, B.) "Today, Sylvia is remembered for her famous quotes and
books and a movie has been made in her name. Not only has she written over two-hundred
and thirty poems she has won the Pulitzer Prize in 1982 for Collected Poems. She is still a highly regarded and much
studied poet to this day. (Literary works.)
Even now there have been children’s books published, “The Bed Book (1976), The It-Doesn't-Matter-Suit
(1996), Collected Children's Stories (UK,
2001), and Mrs. Cherry's Kitchen (2001).”(Kinsey-Clinton, M. ) But
above all, her strongest and most controversial imagery was shaped by the unspeakable atrocities from that recent war, which
confronted her as a teenager and which gave new meaning to the word “gas.” “The association of gas with
the Nazi death camps was enough for the American penal system to turn away from what had been a traditional form of execution.
How ironic that a female American poet would perform this method of execution on herself!”(Gilson, B.) Another shocking
and sad discovery was “Ted Hughes became her literary executor after her death. While there has been some speculation
about how he handled her papers and her image, he did edit what is considered by many to her greatest work, Ariel.”
(Literary works.)After all that hard work, chaos from her marriage, Ted Hughes
abandoning her, he is the one to publish and make money of her famous works.
Although
Plath's was expected to play is apparent from her early journals to the poems completed in the last month of her life, that
same body of work also makes plain that she had accepted some of that role for herself on her own terms: a common theme throughout
the writing is the author's intense desire to be a beloved and loving wife and, perhaps even more strong, her desire to become
a mother--as long as she could still speak from within her "deeper self" through her writing.”(Kinsey-Clinton,
M.) Other critics agree that, “Plath's poetry poignantly reflects her struggles with despair and mental
illness, while her efforts to assert a strong female identity and to balance familial, marital, and career aspirations have
established her as a representative voice for feminist concerns.”
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